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The Metropolitan Opera

New York, New York

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St. Louis Symphony Orchestra

St. Louis, Missouri

Slesinger Management Services

Washington, D.C.

Paramount Center for the Arts

Saint Cloud, Minnesota

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Step Afrika!

Washington, D.C.

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Musical Instrument Museum

Phoenix, Arizona

Interlochen Center for the Arts

Interlochen, Michigan

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Churchill Arts Council

Fallon, Nevada

Tuning Stone Enterprises

Verona, New York

Soka University of America

Aliso Viejo, California

Ririe-Woodbury Dance Company

Salt Lake City, Utah

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Blumenthal Arts

Charlotte, North Carolina

Yale Schwarzman Center

New Haven, Connecticut

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Universty of Rochester

Rochester, New York

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THE CENTER FOR EARLY EDUCATION

West Hollywood, California

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Baton Rouge, Louisiana

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Boston Landmarks Orchestra

Boston, Massachusetts

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Hiba Academy Bay Area

San Francisco, California

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Johns Hopkins University

Baltimore, Maryland

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Illinois Wesleyan University

Bloomington, Illinois

Asolo Repertory Theatre

Sarasota, Florida

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University of Notre Dame

Notre Dame, Indiana

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Baltimore Symphony Orchestra

Baltimore, Maryland

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Executive Director
The National Ballet of Canada (NBOC) performs works of classical and contemporary ballet around the world, across Canada, and in Toronto at the stunning Four Seasons Centre. Consistently ranked amongst the top ten ballet companies in the world, the NBOC is the fourth-largest company in North America, with its own orchestra, rehearsal, administration, and production facilities. The NBOC has grown from strength to strength during its 70+ years, thrilling audiences with some of the finest productions on the planet. By every measure – artistic, financial, and reputational – The National Ballet of Canada is in a strong position, made possible by bold and judicious artistic, administrative, and governance leadership. This is an oppor­tunity to partner with Artistic Director Hope Muir t


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  • Recording of plenary sessions that is intended for broadcast or webcast requires prior arrangement and permission through APAP;
  • Advance scheduling is required for all filming during exhibit hours;
  • Advance scouting, without cameras, is required;
  • All camera crew personnel must wear press badges, and badges must be visible while on the exhibit floor;
  • All camera crews will be escorted by a representative of the Conference while on the exhibit floor;
  • A list of filming needs, indicating company name and booth number, must be approved by APAP in advance of any filming;
  • Permission must be granted by each exhibitor before any filming begins. Camera crews must provide release forms before filming;
  • If you ?need power, other than battery pack, advance arrangements are required and can be arranged by contacting Leah Frelinghuysen;
  • You will be responsible for any costs related to electrical needs;
  • Interviews for exhibitors in the EXPO Hall should be scheduled up to one week before the conference starts (January 10, 2020) and advance scheduling is required for all filming during exhibit hours

Press Contact:
Leah Frelinghuysen
Media Relations Consultant, APAP|NYC 2020
Association of Performing Arts Professionals
leah@monarchyPR.com

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*Single Text Here* Please note the following details related to filming and camera crew access to the EXPO Hall. Advance attention to these requirements will make your visit more productive:
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