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Washington Performing Arts

Washington DC, D.C.

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Wolf Trap Foundation for the Performing Arts

Vienna, Virginia

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Washington Performing Arts

Washington DC, D.C.

The National Ballet of Canada

Toronto, Ontario, Canada

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UMass Fine Arts Center

Amherst, Massachusetts

Krannert Center for the Performing Arts

Urbana, Illinois

Portland Ovations

Portland, Maine

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National Council for the Traditional Arts

Silver Spring, Maryland

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Michigan Tech University

Houghton, Michigan

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Center for the Arts of Bonita Springs, DBA Arts Bonita

Bonita Springs, Florida

Portland Ovations

Portland, Maine

Phillips Oppenheim

St. Augustine, Florida

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The John F. Kennedy Center for the Performing Arts

Washington, D.C.

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Lynn University / Wold Performing Arts Center

Boca Raton, Florida

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Chorus America

Washington, D.C.

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St. Louis Symphony Orchestra

St. Louis, Missouri

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William Carey University

Hattiesburg, Mississippi

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Oberlin College

Oberlin, Ohio

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University of Tennessee, Chattanooga

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University of Michigan - Ann Arbor

Ann Arbor, Michigan

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New York University

New York, NY, US, 10001

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Part-time Lecturer for Undergraduate Course - Film, Race, and Representation
NYU's Los Angeles Program is seeking a local, part-time lecturer to design and teach an undergraduate course focused on the historical and critical understanding of the intersections between film, representation, and race for upper-level undergraduate students. The course will be under the sponsorship of NYU's Gallatin School of Individualized Study.The course will take place in the academic center in the Fairfax/La Brea area of Los Angeles. Teaching commences in Spring 2023 (January 24 through May 15).  The instructor role includes all preparation, delivery, and grading. Some administrative assistance is available to support the preparation of course materials. Courses are to be intellectually challenging in content and rigorous student assessment is required.


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  • Recording of plenary sessions that is intended for broadcast or webcast requires prior arrangement and permission through APAP;
  • Advance scheduling is required for all filming during exhibit hours;
  • Advance scouting, without cameras, is required;
  • All camera crew personnel must wear press badges, and badges must be visible while on the exhibit floor;
  • All camera crews will be escorted by a representative of the Conference while on the exhibit floor;
  • A list of filming needs, indicating company name and booth number, must be approved by APAP in advance of any filming;
  • Permission must be granted by each exhibitor before any filming begins. Camera crews must provide release forms before filming;
  • If you ?need power, other than battery pack, advance arrangements are required and can be arranged by contacting Leah Frelinghuysen;
  • You will be responsible for any costs related to electrical needs;
  • Interviews for exhibitors in the EXPO Hall should be scheduled up to one week before the conference starts (January 10, 2020) and advance scheduling is required for all filming during exhibit hours

Press Contact:
Leah Frelinghuysen
Media Relations Consultant, APAP|NYC 2020
Association of Performing Arts Professionals
leah@monarchyPR.com

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*Single Text Here* Please note the following details related to filming and camera crew access to the EXPO Hall. Advance attention to these requirements will make your visit more productive:
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