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Oregon Shakespeare Festival

Ashland, Oregon

The Metropolitan Opera

New York, New York

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New Mexico Philharmonic

Albuquerque, New Mexico

Landmark on Main Street, Inc.

Port Washington, New York

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Beth Morrison Projects

Brooklyn, New York

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Blumenthal Arts

Charlotte, North Carolina

Goodspeed Musicals working with Management Consultants for the Arts

East Haddam, Connecticut

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Chamber Music Society of Lincoln Center

New York, New York

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Market House Theatre

Paducah, Kentucky

Stratford Festival

Stratford, Ontario, Canada

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Towson University

Towson, Maryland

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Chicago Symphony Orchestra Association

Chicago, Illinois

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Northland Community & Technical College

East Grand Forks, Minnesota

Cincinnati Symphony Orchestra Logo
Cincinnati Symphony Orchestra

Cincinnati, Ohio

Baltimore Symphony Orchestra Logo
Baltimore Symphony Orchestra

Baltimore, Maryland

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Princeton University

Princeton, New Jersey

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Ouachita Baptist University

Arkadelphia, Arkansas

New Mexico Philharmonic Logo
New Mexico Philharmonic

Albuquerque, New Mexico

Elgin Youth Symphony Orchestras Logo
Elgin Youth Symphony Orchestras

Elgin, Illinois

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Sam Houston State University

Huntsville, Texas

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Columbia University

New York, New York

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Marin Country Day School

Corte Madera, California

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Multiplatform Producer
Position Summary: The WDAV Multiplatform Producer is a primary content creator for WDAV. This position requires a broadcast generalist whose responsibilities might include but are not limited to music scheduling, program hosting, writing, editing, audio production, operations and other content creation responsibilities. The work done in this position may be for digital distribution, broadcast, or for both methods of consumption. The position provides depth for the content creation bench and key areas of station operations.What you'll be doing?Multiplatform Producer Responsibilities: Provide an engaging, knowledgeable and professional presence when hosting programming Schedule appealing and appropriate classical music selection


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  • Recording of plenary sessions that is intended for broadcast or webcast requires prior arrangement and permission through APAP;
  • Advance scheduling is required for all filming during exhibit hours;
  • Advance scouting, without cameras, is required;
  • All camera crew personnel must wear press badges, and badges must be visible while on the exhibit floor;
  • All camera crews will be escorted by a representative of the Conference while on the exhibit floor;
  • A list of filming needs, indicating company name and booth number, must be approved by APAP in advance of any filming;
  • Permission must be granted by each exhibitor before any filming begins. Camera crews must provide release forms before filming;
  • If you ?need power, other than battery pack, advance arrangements are required and can be arranged by contacting Leah Frelinghuysen;
  • You will be responsible for any costs related to electrical needs;
  • Interviews for exhibitors in the EXPO Hall should be scheduled up to one week before the conference starts (January 10, 2020) and advance scheduling is required for all filming during exhibit hours

Press Contact:
Leah Frelinghuysen
Media Relations Consultant, APAP|NYC 2020
Association of Performing Arts Professionals
leah@monarchyPR.com

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*Single Text Here* Please note the following details related to filming and camera crew access to the EXPO Hall. Advance attention to these requirements will make your visit more productive:
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