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Theatre for a New Audience

Brooklyn, New York

Landmark on Main Street, Inc.

Port Washington, New York

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SFJAZZ

San Francisco, California

Stratford Festival

Stratford, Ontario, Canada

Boise Baroque Orchestra

Boise, Idaho

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Fishburne Military School

Waynesboro, Virginia

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Texas Choral Directors Association

Prefer central TX area - Austin & surrounding

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The Philadelphia Orchestra and Kimmel Center, Inc.

Philadelphia, Pennsylvania

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Prince George's Philharmonic

Greenbelt, Maryland

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Chicago Symphony Orchestra Association

Chicago, Illinois

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Baltimore Symphony Orchestra

Baltimore, Maryland

Susquehanna University

Selinsgrove, Pennsylvania

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Cincinnati Symphony Orchestra

Cincinnati, Ohio

Susquehanna University

Selinsgrove, Pennsylvania

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Detroit Symphony Orchestra

Detroit, Michigan

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Sterling College

Sterling, Kansas

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Prince George's Community College

Largo, Maryland

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Prince George's Community College

Largo, Maryland

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Prince George's Community College

Largo, Maryland

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Barnard College

New York, New York

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Westfield State University

Westfield, Massachusetts

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Covenant College - Lookout Mountain, GA

Lookout Mountain, Georgia

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Berklee College of Music

Boston, Massachusetts

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Kirkwood Community College

Cedar Rapids, Iowa

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President & CEO
As an integral part of the musical landscape in the country’s most vibrant cultural corridor, the New Jersey Symphony(Symphony) has for over one hundred years continued to enrich lives through a passion for musical excellence and acommitment to New Jersey, its people, and its communities. The Symphony has been recognized by The Wall StreetJournal as “a vital, artistically significant musical organization,” led by Music Director Xian Zhang – a “dynamic podiumpresence” – since 2016. The New York Times has praised Zhang for her “technical abilities, musicianship, and maturity.”The New Jersey Symphony, with an annual operating budget of more than $15 million and a modest endowment,currently serves as the resident orchestra of the New Jersey Performing Art


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  • Recording of plenary sessions that is intended for broadcast or webcast requires prior arrangement and permission through APAP;
  • Advance scheduling is required for all filming during exhibit hours;
  • Advance scouting, without cameras, is required;
  • All camera crew personnel must wear press badges, and badges must be visible while on the exhibit floor;
  • All camera crews will be escorted by a representative of the Conference while on the exhibit floor;
  • A list of filming needs, indicating company name and booth number, must be approved by APAP in advance of any filming;
  • Permission must be granted by each exhibitor before any filming begins. Camera crews must provide release forms before filming;
  • If you ?need power, other than battery pack, advance arrangements are required and can be arranged by contacting Leah Frelinghuysen;
  • You will be responsible for any costs related to electrical needs;
  • Interviews for exhibitors in the EXPO Hall should be scheduled up to one week before the conference starts (January 10, 2020) and advance scheduling is required for all filming during exhibit hours

Press Contact:
Leah Frelinghuysen
Media Relations Consultant, APAP|NYC 2020
Association of Performing Arts Professionals
leah@monarchyPR.com

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*Single Text Here* Please note the following details related to filming and camera crew access to the EXPO Hall. Advance attention to these requirements will make your visit more productive:
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