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College of Marin

Kentfield, California

College of Marin

Kentfield, California

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Chamber Music Society of Lincoln Center

New York, New York

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The Barbican Centre

London, United Kingdom

Oregon Shakespeare Festival OSF

Ashland, Oregon

The Music Hall

Portsmouth, New Hampshire

Peace Center

Greenville, South Carolina

The Music Hall

Portsmouth, New Hampshire

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St. Louis Symphony Orchestra

St. Louis, Missouri

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The Wallis

Beverly Hills, California

Western Arts Alliance

Portland, Oregon

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TheatreWorks Silicon Valley

Palo Alto, California

Theatre L'Homme Dieu

Alexandria, Minnesota

Oregon Shakespeare Festival

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St. Louis Symphony Orchestra

St. Louis, Missouri

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Musical Instrument Museum

Phoenix, Arizona

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New Mexico Philharmonic

Albuquerque, New Mexico

Tuning Stone Enterprises

Verona, New York

Soka University of America

Aliso Viejo, California

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Blumenthal Arts

Charlotte, North Carolina

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Fort Wayne Philharmonic

Fort Wayne, Indiana

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Stage and Rigging Supervisor
The Moss Arts Center is searching for an experienced theatrical stage and rigging supervisor to join our full-time, full year professional production staff. See the diverse array of programs and artists we present at www.artscenter.vt.edu. The Stage and Rigging Supervisor reports to and works closely with the Director of Production (hereafter DoP) to provide supervision of staging and rigging operations in support of the Center’s presented programs throughout the facilities including a 1200-seat performance hall, multiple galleries, a theatrical/research black box for up to 150 seats, lobbies, and occasional outdoor/offsite venues.  Areas of responsibility include advance planning and execution of stage configurations, upk


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  • Recording of plenary sessions that is intended for broadcast or webcast requires prior arrangement and permission through APAP;
  • Advance scheduling is required for all filming during exhibit hours;
  • Advance scouting, without cameras, is required;
  • All camera crew personnel must wear press badges, and badges must be visible while on the exhibit floor;
  • All camera crews will be escorted by a representative of the Conference while on the exhibit floor;
  • A list of filming needs, indicating company name and booth number, must be approved by APAP in advance of any filming;
  • Permission must be granted by each exhibitor before any filming begins. Camera crews must provide release forms before filming;
  • If you ?need power, other than battery pack, advance arrangements are required and can be arranged by contacting Leah Frelinghuysen;
  • You will be responsible for any costs related to electrical needs;
  • Interviews for exhibitors in the EXPO Hall should be scheduled up to one week before the conference starts (January 10, 2020) and advance scheduling is required for all filming during exhibit hours

Press Contact:
Leah Frelinghuysen
Media Relations Consultant, APAP|NYC 2020
Association of Performing Arts Professionals
leah@monarchyPR.com

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*Single Text Here* Please note the following details related to filming and camera crew access to the EXPO Hall. Advance attention to these requirements will make your visit more productive:
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