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Oregon Shakespeare Festival

Ashland, Oregon

The Metropolitan Opera

New York, New York

Gallagher Bluedorn PAC / University of Northern Iowa

Cedar Falls, Iowa

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St. Louis Symphony Orchestra

St. Louis, Missouri

Paramount Center for the Arts

Saint Cloud, Minnesota

Interlochen Center for the Arts

Interlochen, Michigan

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Palace Performing Arts Center, Inc

Albany, New York

Tuning Stone Enterprises

Verona, New York

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Theatre for a New Audience

Brooklyn, New York

Soka University of America

Aliso Viejo, California

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Wortham Center for the Performing Arts

Asheville, North Carolina

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Beth Morrison Projects

Brooklyn, New York

UtahPresents

Salt Lake City, Utah

Goodspeed Musicals working with Management Consultants for the Arts

East Haddam, Connecticut

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SFJAZZ

San Francisco, California

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Market House Theatre

Paducah, Kentucky

Stratford Festival

Stratford, Ontario, Canada

Tulsa Performing Arts Center

Tulsa, Oklahoma

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Universty of Rochester

Rochester, New York

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Bard College

Brooklyn, NY

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Master Theatre Carpenter (starting August 2024)
Are you a skilled theatre artisan passionate about creating immersive stage experiences? St. John’s School is in search of a committed Master Theatre Carpenter to join our dynamic team. In this role, you will be instrumental in constructing, rigging, and maintaining scenery and props, while also ensuring production standards and mentoring students. With ample opportunities for design and collaboration, this position offers a gratifying mix of creativity and craftsmanship. If you possess a dedication to excellence and a desire to contribute to a vibrant community, we encourage you to apply. Join us in crafting unforgettable theatrical productions and nurturing a culture of diversity and inclusivity. This role reports to the Theater Manager/Technical Director and may require after-school,


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  • Recording of plenary sessions that is intended for broadcast or webcast requires prior arrangement and permission through APAP;
  • Advance scheduling is required for all filming during exhibit hours;
  • Advance scouting, without cameras, is required;
  • All camera crew personnel must wear press badges, and badges must be visible while on the exhibit floor;
  • All camera crews will be escorted by a representative of the Conference while on the exhibit floor;
  • A list of filming needs, indicating company name and booth number, must be approved by APAP in advance of any filming;
  • Permission must be granted by each exhibitor before any filming begins. Camera crews must provide release forms before filming;
  • If you ?need power, other than battery pack, advance arrangements are required and can be arranged by contacting Leah Frelinghuysen;
  • You will be responsible for any costs related to electrical needs;
  • Interviews for exhibitors in the EXPO Hall should be scheduled up to one week before the conference starts (January 10, 2020) and advance scheduling is required for all filming during exhibit hours

Press Contact:
Leah Frelinghuysen
Media Relations Consultant, APAP|NYC 2020
Association of Performing Arts Professionals
leah@monarchyPR.com

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*Single Text Here* Please note the following details related to filming and camera crew access to the EXPO Hall. Advance attention to these requirements will make your visit more productive:
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