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Paramount Center for the Arts

Saint Cloud, Minnesota

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Signature Theatre

Arlington, Virginia

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The Yard

Chilmark, Massachusetts

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Town of Addison

Addison, Texas

Los Angeles Master Chorale

Los Angeles, California

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Yakima Symphony Orchestra

Yakima, Washington

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Manchester Music Festival

Manchester, Vermont

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George Street Playhouse

New Brunswick, New Jersey

The Music Hall

Portsmouth, New Hampshire

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Arlington Arts

Arlington, Virginia

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Florida Theatre

Jacksonville, Florida

Universit of Northern Iowa / Gallagher Bluedorn PAC

Cedar Falls, Iowa

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Theatre Projects Consultants

New York City, New York

Nashville Symphony Association

Nashville, Tennessee

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Wolf Trap Foundation for the Performing Arts

Vienna, Virginia

North Carolina State University

Raleigh, North Carolina

Lyric Baltimore

Baltimore, Maryland

Dance Place

Washington, D.C.

Yale Schwarzman Center

New Haven, Connecticut

Prior Performing Arts Center- The College of the Holy Cross

Worcester, Massachusetts

Hult Center for the Performing Arts

Eugene, Oregon

National Folk Festival

Jackson, Mississippi

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The John F. Kennedy Center for the Performing Arts

Washington, D.C.

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Vice President for Marketing and Communications
SUMMARY: The Oregon Symphony is seeking a collaborative, creative, and innovative leader to oversee branding, marketing, communications, and public relations to drive and increase earned income through ticket sales, customer service operations, audience engagement, and patron advancement. ESSENTIAL DUTIES AND RESPONSIBILITIES The Vice President for Marketing & Communications will: Create and communicate the vision and develop a strategic, entrepreneurial, and focused plan to drive annual increases in earned revenue in a changing market; Provide leadership and strategic direction of all programs that build patron relationships, and expand and diversify audiences; Identify strategic opportunities for the develo


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  • Recording of plenary sessions that is intended for broadcast or webcast requires prior arrangement and permission through APAP;
  • Advance scheduling is required for all filming during exhibit hours;
  • Advance scouting, without cameras, is required;
  • All camera crew personnel must wear press badges, and badges must be visible while on the exhibit floor;
  • All camera crews will be escorted by a representative of the Conference while on the exhibit floor;
  • A list of filming needs, indicating company name and booth number, must be approved by APAP in advance of any filming;
  • Permission must be granted by each exhibitor before any filming begins. Camera crews must provide release forms before filming;
  • If you ?need power, other than battery pack, advance arrangements are required and can be arranged by contacting Leah Frelinghuysen;
  • You will be responsible for any costs related to electrical needs;
  • Interviews for exhibitors in the EXPO Hall should be scheduled up to one week before the conference starts (January 10, 2020) and advance scheduling is required for all filming during exhibit hours

Press Contact:
Leah Frelinghuysen
Media Relations Consultant, APAP|NYC 2020
Association of Performing Arts Professionals
leah@monarchyPR.com

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*Single Text Here* Please note the following details related to filming and camera crew access to the EXPO Hall. Advance attention to these requirements will make your visit more productive:
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