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Churchill Arts Council

Fallon, Nevada

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Dance Place

Washington, D.C.

Tuning Stone Enterprises

Verona, New York

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Theatre for a New Audience

Brooklyn, New York

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Palace Performing Arts Center, Inc

Albany, New York

Soka University of America

Aliso Viejo, California

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Beth Morrison Projects

Brooklyn, New York

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Wortham Center for the Performing Arts

Asheville, North Carolina

UtahPresents

Salt Lake City, Utah

Goodspeed Musicals working with Management Consultants for the Arts

East Haddam, Connecticut

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Chamber Music Society of Lincoln Center

New York, New York

Ballet Hispanico

New York, New York

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SFJAZZ

San Francisco, California

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Market House Theatre

Paducah, Kentucky

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Presidio Theatre

San Francisco, California

Stratford Festival

Stratford, Ontario, Canada

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Manchester Music Festival

Manchester, Vermont

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Oregon Public Broadcasting

Portland, Oregon

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Music Business, Full-Time Assistant Professor, Clinical-track (non-tenure)
Position Description: We are seeking a dynamic and innovative colleague to join our Music Business program. The field of specialization for this position is open, but we are particularly interested in candidates who could teach existing courses and develop new courses at the undergraduate and graduate levels in areas such as the business structure of the music industry, music and cultural/media studies, live concerts and touring, music publishing and rights management, artists and repertoire, and artist development, strategic marketing, and international music markets. We are committed to substantially increasing the proportion of our faculty from historically underrepresented groups as we strive to create the most intellectually diverse, inclusive,


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  • Recording of plenary sessions that is intended for broadcast or webcast requires prior arrangement and permission through APAP;
  • Advance scheduling is required for all filming during exhibit hours;
  • Advance scouting, without cameras, is required;
  • All camera crew personnel must wear press badges, and badges must be visible while on the exhibit floor;
  • All camera crews will be escorted by a representative of the Conference while on the exhibit floor;
  • A list of filming needs, indicating company name and booth number, must be approved by APAP in advance of any filming;
  • Permission must be granted by each exhibitor before any filming begins. Camera crews must provide release forms before filming;
  • If you ?need power, other than battery pack, advance arrangements are required and can be arranged by contacting Leah Frelinghuysen;
  • You will be responsible for any costs related to electrical needs;
  • Interviews for exhibitors in the EXPO Hall should be scheduled up to one week before the conference starts (January 10, 2020) and advance scheduling is required for all filming during exhibit hours

Press Contact:
Leah Frelinghuysen
Media Relations Consultant, APAP|NYC 2020
Association of Performing Arts Professionals
leah@monarchyPR.com

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*Single Text Here* Please note the following details related to filming and camera crew access to the EXPO Hall. Advance attention to these requirements will make your visit more productive:
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