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Soka University of America

Aliso Viejo, California

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Soka University of America

Aliso Viejo, California

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NAS

Virginia

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Kronos Performing Arts Association

San Francisco, California

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Hanover Theatre & Conservatory

Worcester, Massachusetts

Krannert Center for the Performing Arts

Urbana, Illinois

Crockett Theater

Lawrenceburg, Tennessee

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The Wallis Center for Performing Arts

LA, California

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Danspace Project

New York, New York

Plaza Theatre / Oak View Group

PALM SPRINGS, California

Charleston Gaillard Center

Charleston, South Carolina

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The Adrienne Arsht Center for the Performing Arts

Miami, Florida

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Martin Bragg & Associates Arts Consulting

Tallahassee, Florida

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Wolf Trap Foundation for the Performing Arts

Vienna, Virginia

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Washington Performing Arts

Washington DC, D.C.

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Washington Performing Arts

Washington DC, D.C.

Portland Ovations

Portland, Maine

Portland Ovations

Portland, Maine

Phillips Oppenheim

St. Augustine, Florida

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The John F. Kennedy Center for the Performing Arts

Washington, D.C.

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Lynn University / Wold Performing Arts Center

Boca Raton, Florida

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St. Louis Symphony Orchestra

St. Louis, Missouri

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New York University

New York, NY, US, 10001

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Lighting Designer
Job Description: Ohio University Lancaster campus (located in Lancaster, Ohio) invites applications for the position of Lighting Designer for Ohio University Lancaster Theatre Productions.Responsibilities are:1. Work with the director to understand vision and needs for each production. Responsible for the design of lighting for the current production and handle all technical areas related to lighting.2. Program all cues into lighting board; set light levels land cue fade times; run cue-to-cue technical rehearsals. Help students with the lighting board and provide instructions on writing cue sheets, describing cues, and cue numbering.3. Develop the light plot for the production and instruct students on how to execute it.Minim


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  • Recording of plenary sessions that is intended for broadcast or webcast requires prior arrangement and permission through APAP;
  • Advance scheduling is required for all filming during exhibit hours;
  • Advance scouting, without cameras, is required;
  • All camera crew personnel must wear press badges, and badges must be visible while on the exhibit floor;
  • All camera crews will be escorted by a representative of the Conference while on the exhibit floor;
  • A list of filming needs, indicating company name and booth number, must be approved by APAP in advance of any filming;
  • Permission must be granted by each exhibitor before any filming begins. Camera crews must provide release forms before filming;
  • If you ?need power, other than battery pack, advance arrangements are required and can be arranged by contacting Leah Frelinghuysen;
  • You will be responsible for any costs related to electrical needs;
  • Interviews for exhibitors in the EXPO Hall should be scheduled up to one week before the conference starts (January 10, 2020) and advance scheduling is required for all filming during exhibit hours

Press Contact:
Leah Frelinghuysen
Media Relations Consultant, APAP|NYC 2020
Association of Performing Arts Professionals
leah@monarchyPR.com

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*Single Text Here* Please note the following details related to filming and camera crew access to the EXPO Hall. Advance attention to these requirements will make your visit more productive:
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